Kim Deal, "Disobedience"
I'm really enjoying the new Kim Deal solo album. More Breeders than Pixies, with some nice curveballs thrown in (Latin horns, anyone?)
Now it's Kelly's turn?
Kim Deal, "Disobedience"
I'm really enjoying the new Kim Deal solo album. More Breeders than Pixies, with some nice curveballs thrown in (Latin horns, anyone?)
Now it's Kelly's turn?
I started a new job last week and it's going really well. After 12 years teaching ESL in South Korea, and various other things along the way (substituting, tutoring, composition teaching in graduate school) I think part of me will always think of myself as a teacher, or an ex-teacher.
I'm also certain that thousands of years ago, sitting around the in-cave fire, the cave-people elders were complaining about the young folks. But something really does seem to have changed -- so much unnecessary drama, the occasional death threat from a second grader, the addiction to cell phones -- in terms of what a teacher's job is supposed to be now.
I'll say more soon but it's nice to go into work and not have to hear any screaming, or any n- or f-bombs.
I didn't realize that in a former life the great sci-fi novelist Charless Stross was a pharmacist, ahem, aher, a chemist since he's British. And he took the time to write a really nifty piece on literary poisoning:
"Poisoning somebody is a violent assault, but a stealthy one: unlike shooting, stabbing, or punching it may not be obvious who's responsible, or even that an attack has taken place until much later. Historically it's often been a tool used by the weak against the overbearingly strong: one way out of an unhappy marriage in cultures where divorce was unavailable to wives. But, despite being stealthy, poisoning is also risky. Many legal systems punish poisoners more harshly than other murderers, either because it's the preferred tool of the oppressed against their privileged oppressor, or because it levels the playing field of violence between the weak and the well-armed and the latter don't like the taste of their own medicine.
So, before using poison in fiction, you need to be very clear about the motivation and expectancy of survival of the poisoner."
Absolutely do read the whole thing.
In my deeply held scientific opinion, Chingu is a very good boy except when he's being a very bad boy.
My sister and I braved the cold to pay our respects to President Carter. May we all have second acts in life that involved serving others.
The film makes some bold choices -- Alan Lomax and Peter Seeger as villains, or at least antagonists. Joan Baez doesn't come off that well either. But focusing on the early career of Dylan, these choices make sense by the end.
I also like how smart the film is musically. There's a minor but great scene that explains to non-guitar players what playing in an open tuning means.
Like all biopics, the film lives or dies on whether you believe in Chalamet's depiction -- I did!
Basically, I thought it was great but I can see where others might differ.